The film was an 2023 Academy Award Nominee in the Short Documentary category. It was also nominated for Best Short Film at the 2022 Sundance Film Festival, along with numerous festival appearances.
By cultivating a close relationship with the press, Martha Mitchell signaled that she was not content to simply play Washington hostess and sit in the background while her husband, John Mitchell, President Richard Nixon’s attorney general, made the news. Flamboyant and boldly outspoken, she was as revered by reporters as she was feared by the Nixon administration, who saw her candid commentary as a liability.
These tensions reached a breaking point in 1972, in the aftermath of the Watergate burglary, when the prospect of Mitchell revealing the truth threatened to upend the Oval Office—she was actually detained by campaign officials to keep her quiet. Composed entirely of archival footage, The Martha Mitchell Effect lays bare a blistering account of political gaslighting to give voice to a woman who refused to remain silent.
Afternoon Inc. served as the film’s Art Director, responsible for the logo, text, archival headlines, montages, and selected image sequences.
“Whatever it is, the way you tell your story online can make all the difference.”
Logo reference: sign held up by Dick Perchlik at the Democratic National Convention in Miami Beach, 1972. It also happens to look a bit like a few of Martha’s more complicated hairdos.
With her blonde bouffant and larger-than-life persona, Martha was so well-known that she graced the November 1970 cover of Time magazine, which reported that she had a “lifetime habit of speaking her mind on the instant” and was a “figure of ridicule to liberals and a public embarrassment to many a traditionalist Republican.
— Cate Lineberry, History
Typography is simple, both to stand apart from the archival footage and to visually unify the film.
Text elements were also systematically degraded to close the visual gap between the footage and text.
The White House Audio Tapes were featured extensively in the film. Poor audio quality necessitated a captioning setup.
Newspaper headlines and other archival materials were simplified where possible, with warm-but-precise animation.
